May 17th 2019
The Pittenweem on the May exhibition’s hung! Jean (Festival chair) and myself (Bradley; website and brochure) went across on the May Princess on Sunday on a fantastic sunny calm day, mobbed by puffins. We had only the three hours on the island but we hastened to the lighthouse and hastened through the hanging of 30 works of art. Done, and it looks great.
Our thanks go to Natural Heritage and to our own infrastructure members Simon and Robert who transported the pieces from Anstruther to the lighthouse (up the hill), then carefully unwrapped them from the miles of bubblewrap.
The lighthouse is open weekends only May to end of July; open all week August to end of September.
March 24th 2019
Pittenweem
ARTISTS &
GALLERIES
at EASTER
Friday 19th - Monday 22nd April
With spring well under way, Pittenweem welcomes you to its Easter open studios event. The village is known for its many artists who live there and who form the core of the annual festival in August.
Each Easter, around a dozen studios, houses and galleries around the village exhibit their latest collections. Pittenweem’s beautiful coastal setting and landscape has always attracted artists and visitors. The village offers an enjoyable day out, with cafes, eateries and of course, art.
Paintings and drawings by Jan Fisher in the Fisher Studio 11-13 High Street (formerly the Fisher Studio & Gallery). Exhibition open 10 - 5 throughout the Easter weekend.
Fisher Studio
Weem Gallery & Framer
The Weem Gallery opens with an Easter exhibition showing paintings by Jane Askey and Glenn Murray.
Backgate Gallery will be showing new work by Susan Forsyth. Also a new exhibitor to Pittenweem, Wayne Galloway ceramics; as well as Jacquie's vintage cup candles, and resident artist The Fish Tailor.
Backgate Gallery
Gina Wright
Gina works outdoors in oils or pastels: I love all aspects of the natural world around me and strive to express moments in time through my art.
Susan Winton
Dory Bistro & Gallery
Kate Shearer
Artick Design Gallery & Studio
A solo show by Susan Winton of Cobalt Contemporary, showing for Easter at ART@47.
The Dory Bistro & Gallery exhibits the work of several local artists, including co-owner Malcolm Cheape.
Enjoying some quiet time, making a variety of work inspired by the harbour colours and my experiences of growing up here. An affordable collection of new pieces.
John Baker’s enthusiasm for experimentation and creativity is reflected in the originality and range of his work.
Barbara Fleming
Marlene Patrick
The Coach House
Pittenweem
Caroline Ward
Forbes Ridland
Rich, warm colours in jewellery and hand knits.
Paintings in both realist and atmospheric style.
Paintings of richness and intensity
Marlene’s love of colour is expressed in her still life or landscapes. Her collages are unique, using a variety of materials.
Heather Cunningham
Known to dedicated and discriminating shoppers who have a flair for fashion and style.
Caroline makes shell art and necklaces from semi-precious stones.
To download this map to print out click here
March 12th 2019
First Gallery Entry
Strictly speaking, not true but it is the first complete gallery entry. The accolade goes to John Baker’s Artick Design Gallery & Studio. I’ve used as a sample the Cellardyke Harbour image as it includes our flat; not further identifying it as we’re popular enough already.
March 10th 2019
Regular artists & new artists
With the submission date of March 15th for artist registrations not too far off, we’re getting an increasing number of submissions; over 60 so far, creeping up to the final 130+ of last year.
Along with familiar names, such as Colin Jack (see January below) we welcome new artists, such as Madeleine Hand, to the Festival.
February 2019
Pittenweem on the May
Nope, it had never really occurred to us to stage an exhibition on the Isle of May. We were therefore surprised and immediately thrilled when Sarah Eaton of Scottish Natural Heritage, who have responsibility for the island, approached us in January of this year with the proposal to host an exhibition in the May’s lighthouse.
The first consideration was, who would we exhibit? We realised that in the time we had available we couldn’t organise a solo exhibition: no artist could put together a show in just a few months. Mind you, artists we talked to, whose work we thought would be very suitable for the May, were very interested and enthusiastic.
The best idea was a group show which we decided to restrict to Pittenweem artists and galleries, giving them the remit to make their work link in some way to the lighthouse and the May. This has proved to be very successful with over thirty artists responding.
Sarah had said that we could have two adjoining rooms, so that was a nice way to break up the exhibition but we had to see for ourselves. Before organising the work we had to visit the May to see what the exhibition space would be like.
Previous visits to the Isle of May had been at more clement times of the year when vegetation and puffins abounded; January is a different matter. Undergoing any trials in the name of art, we set off in the Osprey RIB on what was a really mild and gently hazy day. The outbound trip was fine though coming back we got comprehensively soaked; we hadn’t realised that the Osprey could go at 60 knots an hour. (Okay, it felt like that and it slammed into the waves).
As you can see from the photographs, the island looks a bit craggy but when you visit in May onwards when trips are available, it’ll be greener, more active with wildlife and differently striking.
We’re really enthused with everything about this project and are grateful to SNH for giving us this opportunity to provide a unique outreach for the Festival.
Footnote
We were accompanied on our trip by Pittenweem artist Dominique Cameron who has arranged with SNH to put on a solo show themed around islands, in 2020.
Isle of May and Moon
Lighthouse on approach
Lighthouse stairs
View from lighthouse platform
Looking South
January 2019
Artist Registration: first in
Colin Jack has long held the distinction of being the first exhibiting artist to submit his registration form and images. And this year he’s done it again. Many thanks Colin for helping out by getting this material in early.
Regular admirers of Colin’ work will notice that there’s a difference in style. It’s recognisably Anstruther harbour but done in the Japanese ukiyo style. Not everything has changed as the familiar style will also be on display.
47 High Street Pittenweem Fife KY10 2PG
info@pittenweemartsfestival.co.uk
01333 313 109
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